"The Ne Zha Code: A Movie of Plasma, the Apex Dome Cracking, and the Monsters of the Apocalypse"

 

At first glance, the animated fantasy film Ne Zha seems like just another colorful retelling of Chinese mythology. But if you look deeper, the symbols and images are screaming a hidden truth. The movie shows us blue plasma beams, an apex dome, souls being sucked upward, and monsters released into the world.

This is not fantasy, it is prophecy disguised. And it matches everything the Bible, ancient myth, and even modern science fiction have been hinting at: the Plasma Apocalypse, Mount Meru, and the release of the imprisoned creatures of Revelation.

Part 1: The Plasma Beam

In the film, a massive blue beam of plasma shoots upward into the heavens, cutting through the dome of the sky. This is the same symbol used in countless UFO movies, apocalyptic films, and even music videos—because it represents the cosmic discharge event that comes at the end of the age.

Plasma is not just electricity, it is living fire, the very sword of God. When it bursts forth, it transforms the earth and everything under the dome.

Part 2: The Apex Dome & Ne Zha’s Ascent

One of the most striking scenes shows Ne Zha being sucked upward into the apex of the dome. This isn’t random animation, it is an occult code.

The apex dome is the capstone, the very top of the firmament. When it cracks, plasma flows like a stairway of fire. People, spirits, and souls are caught in its pull, some ascending, some consumed.

This is why so many depictions of UFO abductions use the same blue beam imagery. It’s not just about aliens—it’s about the moment the dome splits open.

Part 3: The Plasma as a Living Judgment

In Ne Zha, the plasma is framed as destructive yet transformative. That’s exactly what prophecy describes.

God’s fire is alive. It chooses. It refines or destroys. The same plasma that opens the heavens is also the Lake of Fire in another form.

This is why the ancients worshiped fire gods and feared cosmic storms—they were remembering fragments of a real event.

Part 4: The Release of the Monsters

But here is where the movie goes even deeper: creatures are released. Dragons, demons, and monsters come forth once the dome cracks and the plasma opens the gate.

This is exactly what Revelation 20 warns about. The nations of Gog and Magog, the imprisoned hosts, the “high ones that are on high”, they are released for a little season.

Mount Meru, the cosmic mountain at the center of the world, has long been said to hold giants, chimera, and fallen creatures sealed in ice. When the dome cracks, the ice wall melts, and the plasma releases them, these beings will be unleashed again upon the earth.

What looks like “mythical dragons” in the movie is in fact a symbol of ancient hybrid abominations, the same ones destroyed in the Flood, waiting for the final hour.

Part 5: The Lie of the Hero

The most deceptive part of Ne Zha is how the film frames the boy as the “chosen one” who can resist destiny and save the world.

This is the Luciferian lie told again and again in Hollywood and world mythology: that man can stop God’s judgment. That humanity, through rebellion and “magic,” can escape fate.

But no false savior can stand in the way of the Great White Throne.

Part 6: The Warning for Today

Movies like Ne Zha are not harmless stories, they are rituals of disclosure. They show you the truth but veil it as fantasy so that when it happens, people dismiss it or think technology will save them.

The reality is far more sobering:

The plasma apocalypse will come.

The dome will crack.

The creatures of the abyss will be released.

And judgment will fall from the Great White Throne.

The good news is this: God is in control. The monsters, the plasma, and even the apocalypse itself are part of His plan of justice. The only safety is not in magic, technology, or false heroes, but in His truth and His covering.

Ne Zha is not just a movie, it is a prophetic code pointing to the very events unfolding around us. The plasma apocalypse, the cracking dome, Mount Meru, the monsters of Revelation,it’s all there in symbolic form.

They may believe they can fight it. They may dress it in cartoons and myths. But the truth remains: the end of the age is written, and God’s judgment cannot be stopped.

Part 7: The Floating into the Hole in the Sky (and the Flying Pig Code)

One of the most striking and hidden codes in Ne Zha is not just the hero being pulled into the hole in the sky, but the strange appearance of a flying pig. At first glance it feels like a joke,but esoterically, it is a mocking prophecy.

The pig in flight represents the ancient saying: “When pigs fly.” It’s a phrase people use when they believe something is impossible—a way of dismissing truth.

By inserting the image of a flying pig during the apocalypse imagery, the film is saying:

“No one will believe this is real.”

“The world will laugh off warnings until it’s too late.”

“They’ll call you crazy for saying the sky will open.”

The mockery is intentional. Just as the Bible says in 2 Peter 3:4: “They will say, ‘Where is this coming He promised?’” people scoff at the signs of judgment. The flying pig is a cinematic way of ridiculing the truth.

But to the initiated, it’s also a hidden confirmation:

The apocalypse will be so surreal, dragons, monsters, plasma beams, people floating upward, that it will look as impossible as pigs flying.

The elites encode this symbolism because they know most will laugh… until the sky really does crack open.

And remember: the pig is considered unclean in scripture. For it to be flying into the sky is a symbol of the tares rising with the wheat, but only for judgment. They ascend, not to glory, but to face the cosmic tribunal at the Great White Throne.

Thus the floating pig is both mockery and prophecy.

Hollywood hides the truth in plain sight: when the dome apex ruptures, people will laugh until the impossible becomes reality, and by then, the judgment beam will already be pulling them in.

Part 8: The Sky Turns Purple, Red, and Blue  The Science of Plasma Judgment

In Ne Zha, the sky is shown streaked with purple, red, and blue hues, an image that seems fantastical at first, but it is rooted in both plasma physics and biblical prophecy.

When the dome apex ruptures and the cosmic plasma sea pours in, the sky will not stay its ordinary blue. Instead, it will transform into a shifting spectrum of charged gases and ionized light:

Red Skies → Hydrogen atoms, when ionized by incoming plasma, emit a crimson glow. This matches the prophecy of “the moon turning to blood” (Joel 2:31).

Blue Skies (intensified) → Oxygen molecules fluoresce blue when electrically charged. This creates the eerie electric-blue light often shown in films during supernatural storms.

Purple Skies → When red hydrogen and blue oxygen emissions combine, they produce a violet or purple glow. This “purple rain” is not just poetic—it’s a literal plasma phenomenon.

The ancients described this as fire from heaven and signs in the sky. Scientists today would explain it as a result of atmospheric ionization, plasma colliding with Earth’s gases and transforming the sky into a cosmic neon display.

But here is the esoteric layer:

Purple has long been the color of royalty and judgment. It symbolizes the King returning to judge the nations.

Red symbolizes blood, sacrifice, and war, the vengeance poured out.

Blue symbolizes heaven, truth, and spirit, but when electrified, it becomes the very force that cracks the dome open.

This is why artists like Prince sang of purple skies, I was dreamin’ when I wrote this

Forgive me if it goes astray

But when I woke up this morning

Could have sworn it was judgement day

The skies were all purple, people were running everywhere,

Chaos and panic filling the streets, yet somehow a strange thrill lingered in the air.

 and why countless films show red skies before destruction. It is predictive programming, preparing people to see plasma skies as beautiful but harmless, when in truth, they signal that judgment has begun.

The film Ne Zha encodes this shift of the sky colors as a cosmic countdown. Once the skies shift into plasma hues, the creatures rise, the beam opens, and the apocalypse is fully underway.

And remember: the science lines up. Plasma is ionized gas, the fourth state of matter, and when it collides with Earth’s atmosphere, it burns, glows, and poisons at the same time. That’s why Revelation says “the third of the waters became wormwood.”

The purple, red, and blue sky is both science and scripture, both plasma and prophecy.